PORCELAIN BY ANTOINETTE
  • Home
  • Workshops
    • Online Workshops >
      • Understanding Porcelain
      • Porcelain Handbuilding
      • Hand building Porcelain dinnerware
      • Wheel Thrown Porcelain Dinnerware
      • Wheel thrown Teapots
      • Pinching Teapots for Beginners
      • Glazing made easy
      • Pottery for the Beginner
    • International
    • USA workshops
    • Arts in schools
  • Shop
  • About
    • Statement
    • Biography
    • Publications
    • Resume
    • Portfolio >
      • Teapot portfolio
      • Sculpted porcelain bowls
      • Sculpted envelopes
      • Ice sculptures
    • Contact >
      • Frequently asked questions
      • Students comments
  • Blog
  • Glossary
  • Recipes
    • Glaze
    • Clay

Is this porcelain that has been well-fired and is suitable for use in the microwave?

1/16/2026

0 Comments

 
In this quick video, Antoinette demonstrates how to whip up a breakfast bowl in the microwave using a small porcelain casserole dish she renamed as  her “brunch-lets.” The porcelain handles remain cool while warming up in the microwave because the clay has almost no absorption, thanks to its vitrification process during firing.  
•
​The video  highlights the risks of using ceramic or porcelain dinnerware in a microwave, specifically noting that porous clay bodies can trap water, causing the item to overheat while the handles remain cool. The speaker recommends porcelain (specifically referencing bone china/white clay) as the best medium for durable, high-quality dinnerware. Moving forward, the discussion will focus on clay and glaze chemistry to ensure safety and quality, noting that technical challenges remain in creating ideal, chip-resistant, and microwave-safe pieces

Examples of Antoinettes  brunchlets

Defining Brunchlets:
​
Antoinette came up with the fun name “brunch-lets” for these little casserole dishes—they’re so much more than just egg cookers! These bowls are perfect for making a full breakfast, lunch, or a quick snack for one person. ​

Picture
One of Antoinettes earliest brunchlets, resembling an egg cooker.
Picture
Cup-sized brunchlets with long handle, large enough for a single meal in the microwave.
Picture
Cup sized brunchlet with two handles like a regular casserole dish, suitable for the microwave.

What are the primary distinctions between hard-paste porcelain, soft-paste porcelain, and bone china? ​​

Kinds of porcelain 
Historically, there are three types of porcelain: hard-paste porcelain, soft-paste porcelain, and bone china.
Hard-paste porcelain is made from clay that becomes glass-like when vitrified. It primarily consists of kaolin, silica, and Feldspar. The firing temperature of the clay depends on the temperature range of the Feldspar, and it is typically fired between 1200-1400 °C.

Antoinette, a renowned potter, teaches many potters worldwide in either online or hands-on classes to work with porcelain clay.

Soft-paste porcelain was developed in Europe during the time alchemists were searching for porcelain, which was originally imported from China. It was made from fine clay, sand, and glass. Unlike earthenware, soft-paste porcelain does not withstand high temperatures and will begin to collapse before reaching vitrification. It was often used for making ornaments.
​
Bone china was developed in England when cattle bones were used to enhance the properties of soft-paste porcelain. The result was a very dense, strong, and glass-like, white, and translucent material. Historically, bone china contained 25% clay (kaolin), 50% bone ash, and 25% Cornish stone. In modern times, bones are replaced with a synthetic calcium phosphate, specifically dicalcium phosphate or tricalcium phosphate, which serve as powerful fluxes. Some artists, such as John Shirley, create artistic bone china bowls. Most people recognize bone china as the dishes displayed on their grandmother’s special shelf, commonly referred to as “chinaware.”  
There are other porcelain types that came along later, like Belleek porcelain, which is still crafted in Belleek, Ireland. America really helped shape this porcelain, and I’m writing about it in my book that’s still in progress. Also, there’s parianware, which is a different kind of porcelain made to be used without glaze, which I addressed in one of my Ceramic Monthly articles. Curtis Benzle creates his own version, so he can leave his sculpted bowls unglazed. 

Picture
This porcelain casserole dish, designed by Antoinette Badenhorst, is great for microwaving and, under specific conditions, can also be used in the oven. Antoinette is also a porcelain instructor at TeachinArt.com
Picture
John Shirley, a teacher at TeachinArt.com, makes beautiful bone china vessels by painting them with soluble salts to create vibrant colors.
Picture
Curtis Benzle, a teacher at TeachinArt.com, has created a porcelain piece that’s quite similar to parianware. He’s also using the Japanese Nericomi techniques to bring out the luminosity and color in his work.

Clarifying some terminology


Vitrification
Porcelain turns into vitrified glass when it’s fired for a long time at a high temperature, which fuses the clay particles into a dense, non-porous material. When the clay has a .01% imperviousness, it becomes food safe. This glassy bond keeps liquids from seeping into the handles, so there’s no steam buildup that can burn your hands when you use it in the microwave.
Besides making it microwave-friendly, this also makes it more durable because steam inside the walls of pottery can shorten its lifespan. 
Just a heads-up, porcelain can get pretty hot, as the heat from your food will transfer to the bowl or cup. That’s why handles are so important—they let you grab it safely from the microwave.

Water absorption in clay
If your pottery isn’t watertight, it might mean it needed a higher firing temperature to make sure the clay particles fusetogether. Or, if it was fired at a lower temperature, the melting agents (fluxes) should have melted at a lower temperature too. If the glaze doesn’t fit perfectly, liquids can also sneak into the clay. You might see tiny cracks on the ceramic container. When liquid seeps into the clay walls, it can take ages to dry out. So, if you use it in the microwave, steam might escape and burn your hands. Also, if you wash it in a dishwasher, harsh chemicals could damage it. The real danger comes when bad bacteria from dirty dishwater gets into the clay walls.

Bone China Versus Porcelain 
Bone China, because it is not plastic enough, needs to be slip cast, while all pottery techniques can be used to create porcelain. 
Recipe for Creme Brûlée in a brunchlet: ​
Enough for 4 servings: 
3 large eggs
3 table spoons of sugar
3/4 cup of cream
1 teaspoon Vanilla essens
A pinch of salt
Instructions: 
​Mix all ingredients together and divide in 4 brunchlets
Place in the microwave for 45 seconds. Stir and put back for another 30-45 seconds ( different microwaves will cook differently)
Sprinkle sugar or spread a jelly of your choice on top. Place under broiler until golden brown. 
Tags:
#porcelain #ceramic #pottery #clay #pottersofinstagram #vitrified #kiln #clayart #potterylife #ceramicstudio #hardpasteporcelain #bonechina #parianware #glazechemistry #handmadeceramics #brunch-let #vitrificationinclay #Waterabsorption #
#microwavecooking #microwaveSafe #kitchenhacks #brunchlets #breakfastbowl #oatmealbowl #microwavemeals #easybreakfast #safeDinnerware #kitchenSafety 
#potteryclasses #antoinette #ceramicmonthly #tablescape #homedecor #functionalart #interiordesign
 ​
0 Comments

Learn more about the Secrets of Porcelain : How to work and build a relationship with this clay medium.

1/16/2026

0 Comments

 
Working with porcelain clay may scare you in the beginning but once you've learned how  porcelain differs from other clay mediums, you will be hooked and really enjoy to work with it. 
  • A note from Antoinette:

  • During those early days of presenting workshops globally, my English language skills were still developing. Although I still occasionally struggle to find my words in English, my proficiency has improved significantly, which I am very grateful for. Growing up and even as a young adult, despite being exposed to English,  Afrikaans was our main language.  
Hand building porcelain can be as easy or as intricate as a potter wants to do it. Antoinette likes to use translucency in her sculpted porcelain bowls. She use any clay technique to create her ceramic art.
Antoinette shares some of her porcelain secrets in this behind-the-scenes look at one of her first porcelain workshops in Canada. She shows how you can take a leather-hard porcelain bowl and safely bring it back to a soft, workable state—then reshape or sculpt it into a beautiful new form.
You’ll see how she creates a press mold and turns it into a bowl, while explaining why it’s important for potters to truly understand porcelain as a material and build a relationship with it.
Antoinette likes to call porcelain a “diva” 😄 because it has its own personality and needs to be handled with care. She even touches on the history of porcelain to help explain its unique characteristics.
The video features highlights from her hands-on workshop, where she teaches both handbuilding and wheel-throwing techniques. Since that first workshop, Antoinette has gone on to teach porcelain classes around the world

Picture
Orange press molded porcelain bowl, envelope formed on a wheel thrown pedestal.
Picture
Chartreuse green press molded porcelain bowl, envelope formed on a wheel thrown pedestal.
Antoinette's porcelain classes whether it is online or hands-on is loaded with explanations and tips and is suitable for beginner to advanced potters.  She provides a variety of porcelain tips and compare them with regular pottery techniques. Her workshops are normally a mix between wheel throwing and hand building techniques. See Antoinettes Ceramic Workshops
#PorcelainSecrets
#WorkingWithPorcelain
#PorcelainClay
#CeramicTechniques
#PotteryTips
#HandbuildingCeramics
#WheelThrowing
#PorcelainWorkshop
#CeramicArtist
#PorcelainByAntoinette
#AntoinetteBadenhorst
#StudioPottery
#ClayLife
#CeramicsEducation
0 Comments

Understanding Porcelain

7/1/2021

0 Comments

 
  • There are many myths about porcelain. This started already in the 12th century when Marco Polo discovered potters in China working with T'zu, the name originally used by these potters. In the 17th century, John Böttger began to understand the make-up of porcelain, and this is where our story starts. ​
Picture
Porcelain needs to be wedged properly to obtain a homogeneous water consistency.
Picture
Coning the clay on the pottery wheel helps to center the clay well.
  • The Understanding Porcelain online class explores the character of porcelain, and Antoinette explains how the materials used in those early ages of the discovery of porcelain are still the same materials used today, why it saturates with water so quickly, and why it dries faster than other clay bodies.
  • Now, in the 21st century, we have much more knowledge about and many more resources to choose from as far as raw materials are concerned than was originally available in the City of Tinqui. It is also possible that potters can have a much clearer understanding of what we are dealing with in porcelain.
​ 

Porcelain online classes 

RSS Feed

  • During the 10 weeks that Antoinette presents her "Understanding Porcelain" online class, students can expect clear, close-up, and detailed videos that they can review and ask questions about as often as they need to. Antoinette teaches and demonstrates everything that any potter needs to understand about porcelain.  Whether hand building, throwing, trimming, or altering on the potter’s wheel, beginners to advanced potters will learn to work easily and successfully with the “Diva of clay”.   Antoinette addresses design. Porcelain is a semi-glass, which is the main reason why porcelain slump, warp, and crack. Firing and glazing techniques help to prevent mistakes and ensure success. 

​
Picture
If the clay is well centered the final centering happens right in the middle interior bottom after the clay is opened.
Picture
2 silicone kidneys help to remove any unevenness, thin the clay and remove wet slip from the clay walls.

What to expect from the Class contents.

  • The class is divided into weeks, which potters can follow or ignore. These are logical breaks between the videos and are intended to give potters an opportunity to pause and practice what they've learned. Potters can review 6 weeks of class content ( a 5-day hands-on class converted to 6 weeks online) over a 10-week period. They can review the content  as often as they need to, and they can discuss questions and gain assistance from Antoinette during this time. Potters watch the videos at their own time. There are more than 30 videos to work through, on average 7-15 minutes long. When the classes are over, the PDFs are available to download as handouts. 

  • In week 1, the class is designed to make a transition from stoneware or earthenware clay to porcelain. There are clear and specific differences in the approach between these clay mediums. The introduction, which includes some porcelain history and the origin of clay, prepares you for that. 



Picture
Pinch the clay inside a hollow area like the palm of the hand. this will help to keep the walls even. The form of the bowl can be obtained later.
Picture
Once the walls are even, the form can be changed and additions can be added to the bowl.
  • During Week 2, potters get to know and control porcelain with a pinching technique. This allows potters to understand the drying stages of porcelain clay. Porcelain clay, just like stoneware clay, comes in different kinds. Apart from different firing temperatures, porcelain clays are designed to either be thrown on the wheel, hand-built, or slipcast. In the end, potters choose a porcelain for their specific needs.  If you are unsure of which kind to choose, you can contact Antoinette. 
  • Week 3 is a week of throwing porcelain on the pottery wheel. Beginners, intermediate, and advanced potters learn to push the limits on the wheel to throw thin, evenly, and translucent porcelain bowls and cylinders. The preparation of the clay is crucial, and the techniques include throwing with 2 kidneys, a great way to compress the clay and create even walls, a crucial element of success with porcelain. 


Picture
Trimming a bowl right side up while it is still attached to the wheel, allows a potter to keep the walls even.
Picture
It is possible to expand or change the foot rim after it is trimmed.
  • The right tools and the right drying stages will help potters during trimming of the pots. The final outcome of transparent porcelain is exciting, but to do it successfully requires knowledge. Potters learn how to trim smoothly and to eliminate unplanned marks that can show up in the translucency of the walls. Even walls prevent slumping and cracking of the rims.  During week 4, potters learn all about trimming and how to ensure the forms turn out successfully. 


​
  • ​One of the myths out there is that porcelain is a difficult medium. Fact is, porcelain is the "Diva of Clay" that demands attention to detail. During this class, the whole course begins to fall into place, and students get to understand why it is needed to do things in a specific way.
  • However, one of the big takeaways is that there is no right or wrong way; only one that is comfortable and one that works. 
Picture
By controlling the moisture content of a porcelain bowl, it is possible to alter the form completely.
Picture
a wheel thrown porcelain bowl, trimmed, altered and carved, ready to dry out.
  • TeachingArt is among others, a Ceramic School where potters learn why certain things are done the way they are done. It is more than just demonstrations, but an in-depth study that is suitable to teach in college. The beautiful thing is that once potters understand, they can change the rules to suit their specific needs, and Antoinette is there to walk those ideas through and assist them. During week 5, potters learn to alter their porcelain vessels, taking design into consideration, and during week 6, the glazing and firing of porcelain are the final actions to ensure success with porcelain. With the right approaches, it becomes easy to obtain beautiful porcelain objects. 
  • Antoinette shares a variety of clay techniques during her online and hands-on classes. The techniques that she uses are specialized, and she helps her students to develop their own techniques. Once a student of Antoinette, always one of her students. She is willing to work with you as long as you need it. ​​
Picture
Wheel thrown translucent green porcelain bowl. The piece is in the permanent collection of the AMOCA Museum of Art in California.
Picture
Hand-built translucent porcelain bowl on a pedestal. The bowl is altered and carved and donated many years ago to CERF, the Craft Emergency Relief Fund.
​​​Unfortunately, the videos are not available permanently, since TeachinArt.com treat their online classes like hands-on workshops.
0 Comments
    Blog

    Categories

    All
    Agateware
    Arts Integration In Schools
    Begin A Pottery Business
    Clay Flute
    Clay Slabs For Dinnerware
    Colored Clay
    Cracks In Pottery
    Destruction Of Art Or Creating Art
    Figurines
    Glazes
    Kilns Suitable For Porcelain
    Kitchenware
    Mississippi Arts Commission Fellowship Report
    Ocarina
    Online Porcelain Workshop
    Painting
    Pinching Clay
    Porcelain Tips
    Porcelain Workshops
    Pottery In Pretoria
    Salt In The Pitfire
    Throwing On The Pottery Wheel.
    Understanding Porcelain

    RSS Feed


Online workshops
Understanding Porcelain ​
​Hand building Porcelain
Hand building porcelain Dinnerware
Wheel throwing Porcelain Dinnerware
Wheel thrown Teapots
Pinching Teapots for Beginners
​
Glazing Made Easy
​Pottery for Beginners
​
Pinching Porcelain Teapots
Porcelain hands-on workshops
Workshops in the USA
International Workshops
Social media
Facebook 
Google Business
Instagram 
LinkedIn
Pinterest

TikTok
​X.com
Contact Antoinette

  • Home
  • Workshops
    • Online Workshops >
      • Understanding Porcelain
      • Porcelain Handbuilding
      • Hand building Porcelain dinnerware
      • Wheel Thrown Porcelain Dinnerware
      • Wheel thrown Teapots
      • Pinching Teapots for Beginners
      • Glazing made easy
      • Pottery for the Beginner
    • International
    • USA workshops
    • Arts in schools
  • Shop
  • About
    • Statement
    • Biography
    • Publications
    • Resume
    • Portfolio >
      • Teapot portfolio
      • Sculpted porcelain bowls
      • Sculpted envelopes
      • Ice sculptures
    • Contact >
      • Frequently asked questions
      • Students comments
  • Blog
  • Glossary
  • Recipes
    • Glaze
    • Clay